The FictionMags Index

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from Some Things Black by Jacques Roubaud · (pm)
from Some Things Black by Rosemarie Waldrop · (pm)
From Somewhere at Sea by [uncredited] · (ts)
From Somewhere Into Nowhere by George Foxhall · (ss)
From Song of Myself: 1, 6, 16, 17, 21, 52 by Walt Whitman · (pm)
from “Sonny’s Blues”: James Baldwin’s Image of Black Community by John M. Reilly · (ar)
From Son of Celluloid by Clive Barker · (ex)
From Son of the Morning by Joyce Carol Oates · (ex)
From Son to Father, Boston Style by Hayden S. Pearson · (hu)
From Sorrow’s Gate by Ian McHugh · (ss)
From Soup to Pineapple by Rosaline Masson · (ss)
From South to North in Spain by Helen Hester Colvill · (ar)
From Spade to Marlowe to Archer by G. A. Finch · (ar)
From Spad to Hearse by Robert J. Hogan · (ss)
From Spad to Hearse by [uncredited] · (ss)
From Spad to Worse by Joe Archibald · (ss)
From Spad to Worse by Joe Archibald · (ss)
From Spain to the Shores of Tremore Beach by [uncredited] · (iv)
From Spanish Light to Moorish Shadow by Alfred Jerome Weston · (??)
From Spark to Fire: Fanning the Flames of Creativity by [uncredited] · (iv)
From Specs to Scants by Diantha Hart · (ss)
From Spectral Realms by Leigh D. Blackmore · (pm)
From Spenser to Marlowe by Peter Crowther · (iv)
From Spicy to Bland: Aspects of Culture/Trojan Self-Censorship by Alfred Jan · (ar)
From Spirit Land by Earl Watkins · (vi)
From Spokane to Puget Sound by Thomas R. Best · (ar)
From Sportswriting to Crimewriting by Brad Parks · (ar)
From Spring to Cistern. The Story of the New River Company by F. Morell Holmes · (ar)
From Spy Catcher to Spy by Geoffrey Palmer · (ar)
from Spyre by Jeanine Deibel · (pm)
From Stable-Lad to Jockey by Ian Grosvenor · (ss)
From Stage Coach to Convict Ship by D. G. Rowlands · (ss)
From Stage Coach to Parlor Car by George Hebard Paine · (ia)
From Stage Door Shadows ed. Jodi Cleghorn · (Literary Mix Tapes, September 2012, oa)
From Stage to Altar by [uncredited] · (pi)
From Stage to Peerage by J. A. Middleton · (ar)
From Stage to Peerage by [uncredited] · (ar)
From Stage to Salon by Fenn Sherie · (ar)
From Stage to Screen by Kate Cameron · (mr)
From Stage to Screen by Frederick James Smith · (mr)
From St. Albans by Henry Charles Beeching · (ar)
From St. Albans by Urbanus Sylvan · (ar)
From Stamford by Henry Charles Beeching · (ar)
From Stamford by Urbanus Sylvan · (ar)
From Standard Magazines to Pulps and Big Slicks: A Note on the History of US General and Fiction Magazines by R. D. Mullen · (ar)
from Stand on Zanzibar by John Brunner · (ex)
From Star Kings to Firebirds: John Jakes’s Fantasy & Science Fiction Novels by Michael Barrett · (ar)
From Stark Raving Elvis by William McCranor Henderson · (ex)
From Start to Finish by Nathan M. Levy · (pm)
From Starvation to Stardom (Sophia Loren) by John Reese · (ar)
“From State to State the Spirit Walks” by Mrs. L. McIntosh · (ss)
From Station Master to Prime Minister by [uncredited] · (ar)
From Steam to Electricity by Spencer Leigh Hughes · (ar)
From Steeger Stories to Terrill Tales—A Gallery of Popular Publications Cover Art by Various · (pi)
From Stephen W. Dickinson by Stephen W. Dickinson · (lt)
from Steps by Jerzy Kosinski · (ex)
From St. Fidèle by William Merriam Rouse · (ss)
From St. George’s Day by Al Newman · (ss)
From Stirling to Glencoe by H. C. Meyer · (ar)
From St. Nicholas by Winifred Mary Jakobsson · (ss)
From St. Nicholas by Winifred Norling · (ss)
From Stone and Bone, From Earth and Sky by A. C. Wise · (nv)
from Stone Butch Blues by Leslie Feinberg · (ex)
From Stone-Hammer to Breech-Loader by Alfred Trumble · (ar)
from Storytelling in a Double Key by Renato Poggioli · (ar)
From Story to Screen by LaShawn M. Wanak · (ar)
From Strange Beginnings by Paul Garrison · (ss)
From Strange Beginnings by Justin Scott · (ss)
From Strange Beginnings by Ben Ames Williams · (sl)
From Strangers by Ephiny Gale · (ss)
From Stratford to London by John W. Hales · (ar)
From Stripes to Shoulder Straps by Casper Carson · (sl)
From Study and Stall by Sidney Dark · (cl)
From Such a Marriage by Beryl Gray · (ss)
From Such Dead Loves by Clarice Vallette McCauley · (ss)
From Sudden Death by C. N. Barham · (ss)
From Suicide Station by Adam Millard · (ss)
from Suite: Lost Things by Douglas Spangle · (pm)
From Summerland by T. C. Mill · (pm)
From Summertime, All the Cats Are Bored by Philippe Georget · (ex)
From Summertime, All the Cats Are Bored by Steven Rendeal · (ex)
from Summoned by Bells by John Betjeman · (pm)
From Sunlight to Candle by [uncredited] · (ar)
From Sunny Italy by A. V. Howell · (pm)
From Sunrise to Daybreak by Mavis Gallant · (ss)
From Sunset to Sunrise by E. Spender · (ss)
From Sunset to the White Sea by William Mingin · (ss)
From Sun to Snow—in 60 Minutes by [uncredited] · (pi)
From Sun to Sun, Four Drawings by Thornton Oakley · (il)
From Superstitious Fantasy to Scientific Fiction: A Baconian Reading of the Weird Tale from Shelley to Lovecraft by César Guarde-Paz · (ar)
From Surrealism to Postmodernism: An Introduction to Chiaki Kawamata’s Death Sentences by Takayuki Tatsumi · (ar)
From Surrey Hills to the Strand by Joshua Hatton · (ar)
From Surrey Hills to the Strand by Guy Roslyn · (ar)
From Survival by Margaret Atwood · (ar)
From Sweden to the States by [uncredited] · (iv)
from Sweeney Astray by Seamus Heaney · (pm)
From Switchman to President by [uncredited] · (bg)
From Sydenham Hill by Enid Campbell Dauncey · (pm)
From Tablet to Table by Libby Graham · (ss)
From Taking Mesopotamia by Jenny Lewis · (pm)
From Tales of Specks of Dust by Max Kaufman · (pm)
From Tambourine to Movie Screen by Mabel Ballin · (bg)
From Tanks to Tin Tacks by Bernard Hogben · (ar)
From Tannersville to Los Angeles: Talking with Ray Bradbury by [uncredited] · (iv)
From Tarzan’s Dad by Edgar Rice Burroughs · (lt)
From… TCQB (The Queen Canon Bibliofile) by Nils Hardin · (ar)
From Teacher to Novelist by [uncredited] · (iv)
From Teacups to Cathedrals by Hannen Swaffer · (br)
From Tears to Wildest Laughter by Maxine Elliott · (te)
From Tea to Tee by Robert E. Howard · (ss)
From Tedium to Terror by Duane Ackerson · (ar)
From Tee to Tea by Charles Harding Divine · (ss)
From Teheran to Trebizond by Árminius Vámbéry · (ar)
From Temper, Temper to Tender Morsels: An Interview with Margo Lanagan by [uncredited] · (iv)
From Tempest and from Sun by John Scott Douglas · (nv)
From Tender by Mark Childress · (ex)
From Tenderloin to Timberline by Jack Lait · (bg)
From “Ten Overtures to the Beloved” by Hilda Hilstfrom · (pm)
From Ten to Three by Edgar Franklin · (ss)
From Ten to Three by Edgar Franklin Stearns · (ss)
From Ten to Twelve by Clara Wallace Overton · (ss)
From Ten to Two by John M. Floyd · (ss)
From Tent Show to Ziegfeld Follies by Genevieve Forbes · (bg)
From Teratology to Terrorism by Andrew Hedgecock · (iv)
From Terpsichore to Thespis by W. Scott Liddell · (bg)
From Texas to Hell by Walter J. Coburn · (nv)
From Texas—to Hell by Tom Roan · (na)
From Thanksgiving to Christmas by Amanda Douglas · (ss)
From That Blue Waste by Robert Jessup · (pm)
From That Dirt by Mitch Jenkins · (ar)
From That Kiss On by Dorothy Dow · (ss)
From the 2205 AD Mother Goose by Gerald Abrams · (pm)
From the Abyss by D. K. Broster · (ss)
From the Abyss by Cardinal Cox · (pm)
From the Accession of Ethelbert to That of Alfred the Great by [uncredited] · (ar)
From the Acorn to the Oak by Harold Mackintosh · (ar)
From the Actor’s Point of View by A. E. Johnson · (ar)
From the Admiralty Files by Kenneth Lyndwode Aitken · (ss)
From the Adult Drive-in by Gabrielle Calvocoressi · (pm)
From the “Afterword” of A Romantic Education by Patricia Hampl · (ex)
from the Afterword to “The Darling” by Leo Tolstoi · (ex)
from The Age of Wire and String by Ben Marcus · (ex)
From the Air-No. 1 by [uncredited] · (pz)
From the Air—No. 2 by [uncredited] · (pz)
From the Air—No. 3 by [uncredited] · (pz)
From the Air—No. 4 by [uncredited] · (pz)
From the Air—No. 5 by [uncredited] · (pz)
From the Air—No. 6 by [uncredited] · (pz)
From the Air—No. 7 by [uncredited] · (pz)
From the Air—No. 8 by [uncredited] · (pz)
From the Air—No. 9 by [uncredited] · (pz)
From the Alleyways by Elizabeth Irons Folsom · (ss)
from The Almanac Branch by Bradford Morrow · (ex)
’From the Altar to the Bar’ by [uncredited] · (sl)
From the Analyst Sifting Through Our Digital Traces by Jennifer Kronovet · (pm)
From the Ancient Transcripts by M. R. Lawson · (lt)
From The Angel Carver by Rosanne Daryl Thomas · (ss)
From the Annals of Crime by Simpson M. Ritter · (cl)
From the Annals of Crime by [uncredited] · (cl)
From the Annals of Crime by Various · (ms)
From the Annals of Criminology by [uncredited] · (ms)
From the Annals of Cupid by Mark Knight · (ms)
From the Annals of Science by Simpson M. Ritter · (ar)
From the Annals of Sport by Simpson M. Ritter · (ms)
From the Annals of the Frontier by [uncredited] · (cl)
From the Annals of the Onomastic Society by Ian Watson · (ss)
From the Annals of the West by Mark Knight · (ar)
From the Annals of the West by [uncredited] · (ms)
From the Anthropology of Water by Anne Carson · (ss)
from “The Anti-Art Anti-Evolution of Manic Piggy Dream Gurrl” by Desmond Kon Zhicheng-Mingdé · (pm)
From the Ape to Buddha by L. Adams Beck · (ss)
From the Archive: Ray Bradbury on Life, Love and Buck Rogers by John Ezard · (iv)
From the Archives by Merlin A. Blanchard · (lr)
From the Archives by Ariel Marken Jack · (lr)
From the Archives by Hammel Schmidt · (hu)
From the Archives of Abdul Alhazred by A. J. Rocca · (ss)
From the Archives of Albemarle Street: I. In the Forties by George Paston · (ar)
From the Archives of Albemarle Street: I. In the Forties by Emily Morse Symonds · (ar)
From the Archives of Albemarle Street: II. Forties and Fifties by George Paston · (ar)
From the Archives of Albemarle Street: II. Forties and Fifties by Emily Morse Symonds · (ar)
From the Archives of Albemarle Street: III. In the Fifties by George Paston · (ar)
From the Archives of Albemarle Street: III. In the Fifties by Emily Morse Symonds · (ar)
From the Archives of Evil ed. Christopher Lee · (Warner, January 1976, an)
From the Archives of Evil ed. Michel Parry · (Warner, January 1976, an)
From the Archives of Evil Number 2 ed. Christopher Lee · (Warner Books, October 1976, an)
From the Archives of Evil Number 2 ed. Michel Parry · (Warner Books, October 1976, an)
From the Archives of the Blood Angels by Tom Lauten · (ms)
From the Archives of the Blood Angels II by Tom Lauten · (ms)
From the Archives of the Moon by Lin Carter · (ss)
From the Archives of the Museum of Eerie Skins: An Account by C. S. E. Cooney · (ss)
From the Archives of the Westmeath Examiner by Derek John · (nv)
From the Arms of Morphe by R. T. Lawton · (pm)
From the Artifacts Team by The Editor(s) · (ed)
from The Art of Fiction: An Interview with James Baldwin by Jordan Elgrably · (ar)
from The Art of Fiction: An Interview with James Baldwin by George A. Plimpton · (ar)
From the Ashes by Eric S. Brown · (ss)
From the Ashes by A. G. Carpenter · (ss)
From the Ashes by Beth Cato · (vi)
From the Ashes ed. Zelda Knight · (Aurelia Leo, February 2023, an)
From the Ashes by Jamie Lackey · (ss)

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