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    Colonial Monthly [v3 #27, November 1869] (Melbourne, octavo, 80pp)
    Details supplied by James Doig.
    • 161 · Double Harness, Or, Pierce Charlton’s Wives [Part 4 of ?] · G. A. Walstab · sl
    • 177 · Persolus · R. R. Haverfield · pm
    • 225 · Yarns by the Camp Fire, No. II · Anon. · vi


    Colonial Monthly [v3 #28, December 1869] (Melbourne, octavo, 80pp)
    Details supplied by James Doig.
    • 241 · Double Harness, Or, Pierce Charlton’s Wives [Part 5 of ?] · G. A. Walstab · sl
    • 273 · The Flower of the Desert · R. R. Haverfield · pm
    • 298 · Lovers and Friends · Anon. · ss
    • 308 · Ma Vocation, by Beranger · Synesius · pm


    Colonial Monthly [v4 #29, January 1870] (Melbourne, octavo, 80pp)
    Details supplied by James Doig.



    Colonies Science Fiction Magazine [#1, 2000]
    Incomplete Data - Issue not found.
    • Need Contents
    • Tales from the Rooks Branch Tavern · Anon. · ??
    • Meet Me in the Park · Anon. · ??
    • Moon Tomes · Anon. · ??
    • Extraterrestrial Arcologies Incorporated · Anon. · ??
    • Martian Blue · Anon. · ??
    • No Spitting · Anon. · ??
    • Friends and Family · Anon. · ??
    • A Man Not a Mouse · Anon. · ??








    Colonnade [February 1916]
    Incomplete details taken from the Index of Short Stories in Edward J. O’Brien’s The Best Short Stories (1915-1917).


    Colonnade [June 1916]
    Incomplete details taken from the Index of Short Stories in Edward J. O’Brien’s The Best Short Stories (1915-1917).


    Colonnade [September 1916]
    Incomplete details taken from the Index of Short Stories in Edward J. O’Brien’s The Best Short Stories (1915-1917).
    • Need Contents
    • Neeth and the House of a Thousand Gods · Susan N. Read · ss


    Colonnade [March 1917]
    Incomplete details taken from the Index of Short Stories in Edward J. O’Brien’s The Best Short Stories (1915-1917).




    Colour    (about)
    Colour: a magazine of art and fiction, edited by Alfred Wilson-Barrett. It was a tabloid, glossy magazine full of reproductions of modern art, most in full colour, and a miscellany of essays and stories. The first series usually ran to 38 pages plus xiv pages of advertising. Publisher, Series 1: William Dawson.






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