(Details taken from overseas edition dated a month later). |
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From this issue Colin Willock is replaced as Executive Editor by Michael Middleton. The names of Silverton, Mackinlay, Stacey and Richardson and their roles are dropped but whether they still operated as such or whether those roles have ceased is not clear. This issue also proclaims a “Free Spring Supplement” but whatever that was isn’t in my copy. This issue is 116 pages. |
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This issue 112 pages. |
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Back to 96 pages. |
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Size increased to octavo full-flat size, perfect bound, 88 pages. Still priced 2/-. Willock has returned as Executive Editor, replacing Middleton, and Silverton’s name returns as Production Editor (where he may have remained all along and just was not listed. Presumably he was in charge of the switch to the flat format). |
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This issue began a letter column of sorts. |
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In the letter column the editor remarked that “Lilliput is edited by men for men”, the first time such as declaration had been made. |
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From this issue the cover bears the slogan “Lilliput is a Man’s Magazine”. |
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Down to 80 pages. |
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From this issue the magazine becomes side stapled. |
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The letter column includes responses by Patrick Moore and Francis Wykes to Solon’s article about whether we have landed on the Moon. |
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This issue 88 pages the extra given over to adverts. Jack Hargreaves’s name vanishes as Managing Editor, though the others remain in their roles. The fashion pages (70-71) are photographed by “Ken Russell”. I wonder! |
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From this issue the cover paintings change to glamour photos. Internally there are now many full colour illustrations rather than two-tone. Also the editorial names all vanish. This may be when William Richardson became editor. |
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104 pages for the Xmas issue. |
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